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“The Ones Who Don’t Say They Love You” written by Maurice Carlos Ruffin

Featured Best-Selling Fiction

Monday-Friday @ 9:00am w/ replays @ 10:00pm and overnight (Tues-Sat) @ 3:00am

POV of a bouquet of flowers being held up in front of a shotgun house in New Orleans

“The Ones Who Don’t Say They Love You is an ode to all that makes us human. Each story grabs your heart, squeezes the hell out of it, and then, somehow, makes it fuller. I couldn’t stop feeling. Ruffin is a writer whose work will make you a better person without your knowing it.”—Mateo Askaripour, author of Black Buck

NEW YORK TIMES EDITORS’ CHOICE • A collection of raucous stories that offer a “vibrant and true mosaic” (The New York Times) of New Orleans, from the critically acclaimed author of We Cast a Shadow
 
SHORTLISTED FOR THE ERNEST J. GAINES AWARD • LONGLISTED FOR THE STORY PRIZE • ONE OF THE BEST BOOKS OF THE YEAR—Garden & Gun, Electric Lit • “Every sentence is both something that makes you want to laugh in a gut-wrenching way and threatens to break your heart in a way that you did not anticipate.”—Robert Jones, Jr., author of The Prophets, in The Wall Street Journal

Maurice Carlos Ruffin has an uncanny ability to reveal the hidden corners of a place we thought we knew. These perspectival, character-driven stories center on the margins and are deeply rooted in New Orleanian culture.

In “Beg Borrow Steal,” a boy relishes time spent helping his father find work after coming home from prison; in “Ghetto University,” a couple struggling financially turns to crime after hitting rock bottom; in “Before I Let Go,” a woman who’s been in NOLA for generations fights to keep her home; in “Fast Hands, Fast Feet,” an army vet and a runaway teen find companionship while sleeping under a bridge; in “Mercury Forges,” a flash fiction piece among several in the collection, a group of men hurriedly make their way to an elderly gentleman’s home, trying to reach him before the water from Hurricane Katrina does; and in the title story, a young man works the street corners of the French Quarter, trying to achieve a freedom not meant for him.

These stories are intimate invitations to hear, witness, and imagine lives at once regional but largely universal, and undeniably New Orleanian, written by a lifelong resident of New Orleans and one of our finest new writers.

 

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